Rachel Becker

Field


You were the stage on which my friends and I played
lotus eaters, sucked down wine from stolen jugs,

read tarot cards by candlelight and tried
to summon the dead, where we hexed everyone we hated.

Through a curtain of trees, classmates kissed and smoked.
I wanted what they had. Instead I had a curfew

and only got your gloaming, a quarter-lit sky.
Unseen, I came to you on my knees, reciting Millay

to the air like a seaside cure, three long mountains and a wood.
I turned, and your dry grass scissored the backs of my legs

and you were all I could see. When I left for college, you were for sale.
I thought for sure you’d be bought up by a country club or company,

your hedges manicured and flood lit, raggedy edges beautified
into trellises. But when I visit you with my own children,

you are still whole, still up for any dare, light as a feather.
It’s pouring when I let my kids loose, and their raincoats

brighten your perimeter, like fireflies in a storm. 



Back to Issue XIV…


Sarah Browning is the author of Call Me Yes (FlowerSong Press, forthcoming), Killing Summer (Sibling Rivalry) and Whiskey in the Garden of Eden (The Word Works). Co-curator and co-host of Wild Indigo Poetry, she also teaches with Writers in Progress and coaches writers one-on-one. Co-founding director of Split This Rock, Browning received the Lillian E. Smith Award and fellowships from the DC Commission on the Arts & Humanities, VCCA, Yaddo, Porches, and Mesa Refuge. She lives in Philadelphia. More: www.sarahbrowning.net.