Hayden Saunier
Autumn Work Song
Faint music outside, as if the Mennonite
congregation three hills away
has taken up Gregorian chants, but today’s
a workday and the song’s nearby,
low baritone notes swayed alive
in the tall purple spikes
of late-blooming sage, so I know
it’s the plainsong of bees
who’ve learned to glean sweetness
wherever, whenever, it’s found,
from each bell and throat,
who know how to carry it home over hills,
make late honey for others, because
even this close to the end, there is time.
I Was the House
I saw the storm come on.
I held each window’s shiny eye in place.
I rattled.
I was casing, frame, and sash.
I was shutters pinned back against planks
by twists and knots of iron hammered into flat black leaves.
I was door hinge, nail-in-the-jamb, the screw’s tight augur
teaching the integrity of yellow pine.
I was amber sap squeezed
from the knotholes’ tiny galaxies
ghost eyes in the floorboards.
I was post and beam, mortise and tenon,
tongue and groove.
I was the whole construction built on friction’s bite.
All night, I knocked and shook against my sides.
I creaked and whistled.
My eaves and attic spaces howled.
I was the house.
I was stone and hardwood, brace and weld.
All night, the wind unhinged me.
And I held.
Back to Issue XIV…
Hayden Saunier is the author of six poetry collections, including her most recent, Wheel, and her work has been awarded the Pushcart, Pablo Neruda, Rattle, and Gell Poetry Prizes. Her poems have been published in 32 Poems, Thrush, Southern Poetry Review, The Sun, Virginia Quarterly Review, and featured on Poetry Daily, The Writer’s Almanac, and Verse Daily. Hayden is the founder/director of No River Twice, an interactive poetry performance group.
