Marcela Sulak

Pure Oil Road, 1954


It was a time of “rough
with her” husbands and sweet birdsong
of wings spread, flapping fields and bladed
clouds, of sewing baby bonnets
and blankets, of harrier falcons
surveying the landscape during elections 
for justice of the peace.
Youngest sons taking mothers
on back country roads
to teach them to drive and neither of them
ever speaking of it after.
The decades dense with unspeakable things
so now the aunt knife-
thin beneath the blankets
“well, there's nothing much to speak
about, because I'm just sleeping 
but thank you for visiting, 
nonetheless.” Still her hair holds hardly
any silver. Once the uncle herded cattle
to the train depot at the nearest town,
hunkering under the belly of a horse
when the wild mustangs spooked.
Some fathers remember nothing
of their childhood, not a single
meal they ate, not what
his mother was like.


Back to Issue XV…


Marcela Sulak’s recent work includes The Fault (National Jewish Book Awards finalist), City of Sky Papers, and the lyric memoir Mouth Full of Seeds. She’s co-edited Family Resemblance: An Anthology and Exploration of 8 Hybrid Literary Genres. A translator from the Czech, French, and Hebrew, Sulak’s Twenty Girls to Envy Me: Selected Poems of Orit Gidali was a finalist for the 2017 PEN Award for Poetry in Translation, and her most recent, Music of the Wide Lane by Sharron Hass, received a 2019 NEA fellowship. Sulak edits The Ilanot Review and directs the Shaindy Rudoff Graduate Program in Creative Writing.